Art & Craft of Lutherie
Art & Craft of Lutherie
Building concert quality guitars for discerning players
It’s all about the sound and playability. I am building instruments to satisfy the most discerning with a level of craft required to give the professional player an instrument that inspires and is responsive to their touch. I came to luthiery as in a roundabout way; as a musician first and then as a builder and repair person. I hope that my range and years of experience playing, repairing, studying instruments and building them by hand has given me the tools to deliver the finest instruments to you.
This is a singular craft that is about careful consideration and refinement of every part; all in the goal of building a meaningful, superbly functional, and aesthetically pleasing object.
It’s not just about fine woodworking or construction techniques and plans. The woodworking aspect is a means to an end. It’s about you and what you hear and feel. We want everything to come together with the design and materials to create a guitar that inspires you.
The process is a collaborative one.
All of the choices in materials and design are the collaborative vision between us. Every aspect is considered with regards to ergonomics, aesthetics, and sound production. I want to build an instrument that fits you: your hand size, aesthetic, and your playing style. Understanding your needs is the most important aspect of building a custom instrument. I look forward to working with you.
Sincerely,
Max Sipe
Classical Models
Traditional & Modern
Classical Models
Traditional & Modern
The Traditional model features a timeless classical guitar aesthetic with a mosaic rosette and classical detailing.
Bracing Patterns Available– Open Harmonic Bar or Asymmetric
Top Wood– Choice of European Spruce, Engelmann Spruce, Western Red Cedar
Back & Sides Wood– East Indian Rosewood Standard; Additional Wood Selection Available on Request and Priced Based on Current Market, Grade, Figure, etc.
Signature Model Guitar features modern aesthetic elements which include the “new waves” rosette design.
Bracing Patterns Available–Wood Lattice or Floating Tie
Top Wood– Choice of European Spruce, Engelmann Spruce, Western Red Cedar
Back & Sides Wood– East Indian Rosewood Standard; Additional Wood Selection Available on Request and Priced Based on Current Market, Grade, Figure, etc.
A concert guitar with simplified aesthetic elements, perfect for concert players or students who need the sound and quality of a handmade instrument without all of aesthetic detailing.
Bracing Patterns Available– Open Harmonic Bar or Asymmetric
Top Wood– Choice of European Spruce, Engelmann Spruce, Western Red Cedar
Back & Sides Wood– East Indian Rosewood, Wenge or Claro Walnut Standard
Directly from me that are made to order. Working together we can bring your guitar to life by finding the materials and design that best fits your playing and aesthetic.
Retail through dealers in North American & Europe including Guitars International, The Rosewood Guitar, and Siccas Guitars.
Feel more comfortable with a phone call?
You can reach me at 503-706-0910 during business hours on the West Coast.
My journey into lutherie is a natural one.
As a kid I was always drawing and making model planes and cars. Simultaneously, I was involved in music. I had piano lessons starting in the 1st grade and I played music all the way thru college.
I graduated with a BA in music from the University of Portland and studied classical guitar with Jeffrey Ashton and Scott Kritzer as well as attending numerous master classes. While teaching music and performing after graduation, I was always preoccupied with other projects: building furniture, painting cars, fiberglassing, etc... which led to me to try my hand at lutherie.
It was a good feeling to be able to connect two of my passions - music and a hands-on construction project. I made my first guitar in 2005 and I've been hooked ever since. I am mostly self taught, but I am also lucky to live in a place where I am surrounded by gifted luthiers with whom I can learn and share.
Doing repair work is a wonderful way to study the craft.
I worked for about 6 years in Kerry Char’s workshop repairing instruments and helping him with his custom builds. It was a great learning experience and helped me raise the bar to what I wanted to do with my own building. Being able to study instruments from the Baroque to the present is invaluable in shaping ones perspective. Also, the work itself; things like completing hundreds of re-frets and neck resets build an invaluable skill set.